//The Reader, the Text, the Poem: The Transactional Theory of the Literary Work

The Reader, the Text, the Poem: The Transactional Theory of the Literary Work

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Description

Louise M. Rosenblatt’s award-winning work continues increasingly more to be read in quite a lot of academic fields—literary criticism, reading theory, aesthetics, composition, rhetoric, speech communication, and education. Her view of the reading transaction as a unique event involving reader and text at a particular time under particular circumstances rules out the dualistic emphasis of other theories on either the reader or the text as separate and static entities. The transactional concept accounts for the importance of factors such as gender, ethnicity, culture, and socioeconomic context. Very important reading for the specialist, this book could also be well suited for courses in criticism, critical theory, rhetoric, and aesthetics.

Starting from the similar nonfoundationalist premises, Rosenblatt avoids the extreme relativism of postmodern theories derived principally from Continental sources. A deep understanding of the pragmatism of Dewey, James, and Peirce and of key issues in the social sciences is the basis for a view of language and the reading process that recognizes the potentialities for alternative interpretations and on the same time provides a rationale for the responsible reading of texts.

The book has been praised for its lucid explanation of the multidimensional character of the reading process—evoking, interpreting, and evaluating the work. The nonliterary (efferent) and the literary (aesthetic) are shown to not be opposites but to represent a continuum of reading behaviors. The creator amply illustrates her theoretical points with interpretations of varied texts. The epilogue carries further her critique of rival latest theories.

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